How can I explain difficult concepts better?

Answer: Use analogies.

Richard Feynman, Nobel prize-winner and founder of Quantum Mechanics and explainer extraordinaire, used analogies all the time. He is famous for his brilliant analogies. If they’re good enough for him to use, they should be good enough for us to try to master!

Practical ideas on how to improve your analogy-generating skills:

  1. Copy Richard Feynman’s example  and automatically create analogies of what you’re reading as you go. Not only will this practice help you understand what your reading better, but you’ll be giving yourself lots of analogy-creating practice.
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  2. Watch Richard Feynman’s analogies in action. (Type in Feynman in the Practical Savvy search box to call up lots of Feynman videos). As you watch him, listen for the analogies.  Jot them down. Stop the video and try to recall the analogy word for word. Do whatever you can think of to deep-learn the Feynman analogy technique.
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  3. Keep a collection of fine analogies you stumble across in your general reading and listening. Revisit your list often just to remind you what a good analogy looks like. You can tell an analogy is good if it worked for you i.e. the analogy helped  you understand the tricky concept better.
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  4. Practice generating colorful and effective analogies. Generating analogies can be as much fun as punning. Here are some clever analogies/metaphors/similes:
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    • You can put lipstick on a pig, but it is still a pig. (to explain that making superficial or cosmetic changes won’t succeed in disguising the true nature of something.)
    • Friends are like melons; shall I tell you why? To find a good one, you must one hundred try. ~ Claude Mermet
    • Many people have a good aim in life, but for some reason they never pull the trigger.  ~ Unknown
    • Most people never run far enough on the first wind to find out they’ve got a second. Give your dreams all you’ve got, and you’ll be amazed at the energy that comes out of you. ~ William James
    • A conservative is a man with two perfectly good legs who, however, has never learned how to walk forward.  ~ Franklin D. Roosevelt
    • If you shoot for the stars and hit the moon, it’s OK. But you’ve got to shoot for something. A lot of people don’t even shoot. ~ Confucius
    • Cherish your vision and your dreams as they are the children of your soul, the blueprints of your ultimate achievements. ~ Napoleon Hill
    • Man’s main task in life is to give birth to himself, to become what he potentially is. ~ Erich Fromm
    • In everyone’s life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit. ~ Albert Schweitzer
    • When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return. ~ Leonardo da Vinci
    • There is a magnet in your heart that will attract true friends. That magnet is unselfishness, thinking of others first. When you learn to live for others, they will live for you. ~ Paramahansa Yogananda
    • Do your own thinking independently. Be the chess player, not the chess piece. ~ Ralph Charell
    • The average man is a conformist, accepting miseries and disasters with the stoicism of a cow standing in the rain. ~ Colin Wilson
    • Criticism may not be agreeable, but it is necessary. It fulfils the same function as pain in the human body. It calls atention to an unhealthy state of things. ~ Winston Churchill
    • Habits start out as cobwebs and grow to be cables. ~ Spanish proverb
    • Vision is not enough. It must be combined with venture. It is not enough to stare up the steps; we must also step up the stairs. ~ Vaclac Havel
    • Holding on to anger is like grasping a hot coal with the intent of throwing it at someone else; you are the one who gets burned. ~ Buddha
    • Thousands of candles can be lit from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared. ~ Sutta Nipata
    • To build a friendship is to build wealth. ~ Buddha
    • Forget about the fruit; nurture the root. ~ Unknown
    • If farming were to be organised like the stock market, a farmer would sell his farm in the morning when it was raining, only to buy it back in the afternoon when the sun came out. ~ John Maynard Keynes
    • Wars are won in the general’s tent. ~ Stephen Covey
    • Service is the rent we pay for the privilege of living on this earth. ~ N. Eldon Tanner
    • The person who gets the farthest is generally the one who is willing to do and dare. The sure-thing boat never gets far from shore. ~ Dale Carnegie
    • The worst bankrupt in the world is the man who has lost his enthusiasm. Let a man lose everything else in the world but his enthusiasm and he will come through again to success. ~ H.W. Arnold
    • To the man with a hammer, every problem tends to look pretty much like a nail. ~ Unknown
    • You’ve gotta dance like there’s nobody watching,
      Love like you’ll never be hurt,
      Sing like there’s nobody listening,
      And live like it’s heaven on earth. ~ William W. Purkey
    • Twenty years from now you will be more disappointed by the things that you didn’t do than by the ones you did do. So. . .sail away from the safe harbor. Explore. Dream. Discover. ~ Mark Twain
    • Choosing a partner is choosing a set of problems. There are no problem-free candidates. ~ Daniel Wile

Here’s a great blog article by Lisa Jeffery that gives more practical tips on how to create analogies like Richard Feynman:

The Art of Explaining Things–Richard Feynman Style

How can I learn how to teach well?

Answer: Study this transcript of Richard Feynman’s lecture he gave in 1959 on the possibility of making things small.

Richard Feynman was an extraordinary teacher. If you want to get good, then study the techniques used by the masters.

How can I communicate numbers and statistics in a way that makes sense?

Answer: Translate your meaningless numbers into word pictures:

In this video, Richard Feynman re-scales the dimension of atoms in a way that makes sense to us:

Clever use of metaphor and analogy to explain hard-to-understand ideas

Some concepts are hard to explain, especially if the concepts are totally foreign to our readers and listeners.  But if we can tell our readers and listeners what the concepts are like,  then maybe they’ll get it.  That is the  job of the metaphor and analogy:  to build  bridges of understanding.  (How about that!  I just used a metaphor myself !)

1. Using metaphor and analogies to explain how to meditate:

Meditation is very hard — lots of  people try but quickly give up. It’s hard controlling our chaotic, unbidden thoughts.  So how can we explain some handy meditation techniques to someone?

In her best-selling memoir Eat Pray Love, Elizabeth Gilbert used some clever metaphors involving of monkeys, slaves and row boats to explain  meditation.  The rowboat-analogy was personally very helpful for me in my primitive meditation attempts:

Like most humanoids, I am burdened with what the Buddhists call the “monkey mind” the thoughts that swing from limb to limb, stopping only to scratch themselves, spit and howl. From the distant past to the unknowable future, my mind swings wildly through time, touching on dozens of ideas a minute, unharnessed and undisciplined.  This in itself is not necessarily a problem; the problem is the emotional attachment that goes along with the thinking.  Happy thoughts make me happy, but — whoops — how quickly I swing again into obsessive worry, blowing the mood; and then it’s the remembrance of an angry moment and I start to get hot and pissed off all over again; and then my mind decides it might be a good time to start feeling sorry for itself, and loneliness follows promptly.  You are, after all, what you think.  Your emotions are the slaves to your thoughts, and you are the slave to your emotions.

The other problem with all this swinging through the vines of thought is that you are never where you  are.  You are always digging in the past or poking at hte future, but rarely do you rest  in this moment.  It’s something like the habit of my dear friend Susan, who —  whenever she sees a beautiful place — exclaims in near panic, “It’s so beautiful here!  I want to come back here someday!” and it takes all of my persuasive powers to try to convince her that she is already here.  If you’re looking for union with the divine, this kind of forward/backward whirling is a problem…

But to stay in the present moment requires dedicated one-pointed focus.  Different meditation techniques teach one-pointedness in different ways — for instance, by focusing your eyes on a single point of light, or by observing the rise and fall of your breath.  My Guru teaches meditation with the help of a mantra, sacred words or syllables to be repeated in a focused manner.  Mantra has a dual function.  For one thing, it gives the mind something to do.  It’s as if you’ve given the monkey a pile of 10,000 buttons and said, “Move these buttons, one at a time, into a new pile.”  This is a considerably easier task for the monkey than if you just plopped him in a corner and asked him not to move. The other purpose of mantra is to transport you to another state, rowboatlike, through the choppy waves of the mind.  Whenever your attention gets pulled into a cross-current of thought, just return to the mantra, climb back into the boat and keep going.  The great Sanskrit mantras are said to contain unimaginable powers, the ability to row you, if you can stay with one, all the way to the shorelines of divinity. (From Eat Pray Love by Elizabeth Gilbert, p 138-9)

2. Using analogy and metaphor to explain how the brain changes with stimulation:

The brain Merzenich describes is not an inamimate vessel that we fill; rather it is more like a living creatures with an appetite, one that can grow and change itself with proper nourishment and exercise. (from The Brain that Changes Itself by Norman Doidge, p 47)

3.  A clever analogy to  explain how hard it is to tease apart the separate contributions of our genes and our environment on how we turn out:

Do our genes or our experiences determine who we become? That debate turns out to be pointless, based on the fallacy that our genes and our environment are independent of each other;  it’s like arguing over which contributes more to the area of a rectangle, the length or the width. (From Social Intelligence by Daniel Goleman, p 150)

4.  A clever analogy to explain the pitfalls of an organization that pursues money as its only goal:

When I find [organizations whose only thrust is to make money], I also find a great deal of negative synergy in the culture, generating such things as interdepartmental rivalries, defensive and protective communication, politicking, and masterminding. We can’t effectively thrive without making money, but that’s not sufficient reason for organizational existence. We can’t live without eating, but we don’t live to eat. (From 7 Habits of Highly Effective People, by Stepen Covey, p 302)

5.  Richard Feynman using a chess analogy to explain how scientists discover the laws of nature:

6.  A  computer metaphor:

But is that our fundamental nature? Or, to use yet another computer metaphor, is that our default setting? When we enter the world are we wired to be passive and inert? Or are we wired to be active and engaged? (From Drive by Daniel Pink, p 87)

7.FedEx days:

Where workers are given 24 hours to work to some up with their own solution to a problem and they have to deliver something overnight.

“Over the years, this odd little exercise has produced an array of software fixes hat might otherwise never have emerged. Says one engineer, “Some of the coolest stuff we have in our product today has come from FedEx days.” (From Drive by Daniel Pink, p 91)

8.  Goldilocks tasks: The sweet spot where tasks are neither too easy nor too hard. (From Drive by Daniel Pink, p 224)

8.  rewards and punishments = carrots and sticks.

It is suggested that, in the end, human beings aren’t much different form livestock–that the way to get us moving in the right direction is by dangling a crunchier carrot or wielding a sharper stick. (From Drive, by Daniel Pink, p 18)

 

Clever personification to communicate difficult concepts

1. Personifying mood states.

 

Elizabeth Gilbert cleverly communicates her personal experience of loneliness and depression in her memoir Eat Pray Love by portraying the mood states as two guys she calls Loneliness and Depression, giving each his own strong, distinctive personality. Her decision to explain her feelings of loneliness and depression this way obviously has struck a chord with  her readers as this passage has been frequently mentioned as a favourite on various web blogs.

Here it is:

“Depression and Loneliness track me down after about ten days in Italy. I am walking through the Villa Borghese one evening after a happy day spent in school, and the sun is setting gold over St. Peter’s Basilica. I am feeling contented in this romantic scene, even if I am all by myself, while everyone else in the park is either fondling a lover or playing with a laughing child. But I stop to lean against a balustrade and watch the sunset, and I get to thinking a little too much, and then my thinking turns to brooding, and that’s when they catch up with me.

They come upon me all silent and menacing like Pinkerton Detectives, and they flank me – Depression on my left, Loneliness on my right. They don’t need to show me their badges. I know these guys very well. We’ve been playing a cat-and-mouse game for years now. Though I admit that I am surprised to meet them in this elegant Italian garden at dusk. This is no place they belong.

I say to them, “how did you find me here? Who told you I had come to Rome?”

Depression, always the wise guy, says, “what – you’re not happy to see us?“

Go away”, I tell him.

Loneliness, the more sensitive cop, says “I’m sorry, ma’am. But I might have to tail you the whole time you’re traveling. It’s my assignment.”

“I’d really rather you didn’t,” I tell him, and he shrugs almost apologetically, but only moves closer.

Then they frisk me. They empty my pockets of any joy I had been carrying there. Depression even confiscates my identity; but he always does that. Then Loneliness starts interrogating me, which I dread because it always goes on for hours. He’s polite but relentless, and he always trips me up eventually. He asks if I have any reason to be happy that I know of. He asks why I am all by myself tonight, yet again. He asks (though we’ve been through this line of questioning hundreds of times already) why I can’t keep a relationship going, why I ruined my marriage, why I messed things up with David, why I messed things up with every man I’ve ever been with. He asks me where I was the night I turned thirty, and why things have gone so sour since then. He asks why I can’t get my act together, and why I’m not at home living in a nice house and raising nice children like any respectable woman my age should be. He asks why, exactly, I think I deserve a vacation in Rome when I’ve made such a rubble of my life. He asks me why I think that running away to Italy like a college kid will make me happy. He asks where I think I’ll end up in my old age, if I keep living this way.

I walk back home, hoping to shake them, but they keep following me, these two goons. Depression has a firm hand on my shoulder and Loneliness harangues me with his interrogation. I don’t even bother eating dinner; I don’t want them watching me. I don’t want to let them up the stairs to my apartment, either, but I know Depression, and he’s got a billy club, so there’s no stopping him from coming in if he decides that’s what he wants to.

“It’s not fair for you to come here,” I tell Depression. “I paid you off already. I served my time back in New York.”

But he just gives me that dark smile, settles into my favorite chair, puts his feet on my table and lights a cigar, filling the place with his awful smoke. Loneliness watches and sighs, then climbs into my bed and pulls the covers over himself, fully dressed, shoes and all. He’s going to make me sleep with him again tonight, I just know it.”

Eat, Pray, Love by Elizabeth Gilbert (p 46-47)

Depression also has been personified in Billie Holiday’s classic song Good Morning Heartache. Read the lyrics as you listen to Billie Holiday sing the song in this video:

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